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No Direction Home: Bob Dylan (2005)
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Overview
User Rating:
Director:
Release Date:
21 July 2005 (USA)
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Genre:
Plot:
A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star. full summary | add synopsis
Plot Keywords:
Awards:
Won Primetime Emmy.
Another 5 wins
&
7 nominations
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NewsDesk:
(11 articles)
Martin Scorsese To Be Honored at 2010 Golden Globes with Cecil B. DeMille Award
(From Collider.com. 12 November 2009, 12:59 PM, PST)
Martin Scorcese Honored with the Cecil B. DeMille Award
(From MovieWeb. 12 November 2009, 5:35 AM, PST)
(From Collider.com. 12 November 2009, 12:59 PM, PST)
Martin Scorcese Honored with the Cecil B. DeMille Award
(From MovieWeb. 12 November 2009, 5:35 AM, PST)
User Comments:
Bob Dylan, human being
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Cast
(Cast overview, first billed only)| Bob Dylan | ... | Himself | |
| B.J. Rolfzen | ... | Himself (voice) | |
| Dick Kangas | ... | Himself | |
| Liam Clancy | ... | Himself | |
| Tony Glover | ... | Himself | |
| Paul Nelson | ... | Himself | |
| Allen Ginsberg | ... | Himself (archive footage) | |
| Dave Van Ronk | ... | Himself (archive footage) | |
| Maria Muldaur | ... | Herself | |
| John Cohen | ... | Himself | |
| Bruce Langhorne | ... | Himself | |
| Mark Spoelstra | ... | Himself | |
| Suze Rotolo | ... | Herself | |
| Izzy Young | ... | Himself | |
| Mitch Miller | ... | Himself |
Additional Details
Also Known As:
Parents Guide:
Runtime:
208 min (DVD) | Finland:205 min (2 part TV-miniseries) | Canada:201 min (Toronto International Film Festival) | Argentina:208 min
Language:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:
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Company:
Fun Stuff
Trivia:
Mitch Blank's credit as "hypnotist collector" is a reference to a line in the Bob Dylan song "She Belongs to Me".
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Goofs:
Errors in geography: Footage of the San Francisco Bay Bridge is included among footage of New York City illustrating Bob Dylan's arrival there.
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Quotes:
Reporter:
How many people who major in the same musical vineyard in which you toil, how many are protest singers? That is, people who use their music, and use the songs to protest the uh, social state in which we live today, the matter of war, the matter of crime, or whatever it might be.
Bob Dylan: Um... how many?
Reporter: Yes. How many?
Bob Dylan: Uh, I think there's about uh, 136.
[People around him giggle. The reporter doesn't laugh]
Reporter: You say ABOUT 136, or you mean exactly 136?
Bob Dylan: Uh, it's either 136 or 142.
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Bob Dylan: Um... how many?
Reporter: Yes. How many?
Bob Dylan: Uh, I think there's about uh, 136.
[People around him giggle. The reporter doesn't laugh]
Reporter: You say ABOUT 136, or you mean exactly 136?
Bob Dylan: Uh, it's either 136 or 142.
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Movie Connections:
Features Monterey Pop (1968)
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Soundtrack:
Teen Love Serenade
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FAQ
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| Great watch | rollyjibberish |
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In our age of universal celebrity, where we know everything that everyone famous thinks (or, more usually, does not think), it's refreshing to rediscover how interesting it can be to hear from someone whose achievements are great but who rarely speaks about them. Bob Dylan has given an extensive interview to Martin Scorcese for Scorcese's film about his emergence from the folk scene and his subsequent "betrayal" of that scene when he went electric: it's absorbing to watch, although, in the end, Bob doesn't actually say that much specific. However, the interview is complemented by a selection of other distinguished talking heads and most crucially, a rich selection of archive footage, going back to Dylan's very first days as a performer. What one notices is just how young he was: the depth and sophistication of even his earliest music can blind one, listening on record, to the age of the performer producing it. He also comes across as playful, self-confident and quite naturally baffled by some of idiocy going on around him: far from seeming incomprehensibly moody, Dylan actually appears as sane as anyone could be at the centre of such attention. It's the music, though, that is really the key to this film, with a rawness and edge, as well as a cleverness, that is still unsurpassed today (and this comment applies equally to the acoustic and the electric material). Since 1966 when the film ends, Dylan has continued to tour and write occasionally great songs; but the body of work that he produced in the early to mid 1960s stands clear for its amazing quantity and quality. If nothing else, 'No Direction Home' stands as clear testament to that achievement.