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1776 (1972)
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Overview
User Rating:
Director:
Writers:
Release Date:
17 November 1972 (USA)
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Plot:
The film version of the Broadway musical comedy of the same name. In the days leading up to July 4, 1776...
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| full synopsis
Plot Keywords:
Awards:
Nominated for Oscar.
Another 1 nomination
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NewsDesk:
User Comments:
Reviewer Revels in 1776
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Cast
(in credits order) (verified as complete)
Directed by | |||
| Peter H. Hunt | |||
Writing credits(in alphabetical order) | ||
| Sherman Edwards | play | |
| Peter Stone | play | |
| Peter Stone | screenplay | |
Produced by | |||
| Jack L. Warner | .... | producer | |
Original Music by | |||
| Sherman Edwards | |||
Cinematography by | |||
| Harry Stradling Jr. | |||
Film Editing by | |||
| Florence Williamson | |||
| William H. Ziegler | |||
Casting by | |||
| Michael Shurtleff | |||
Production Design by | |||
| George Jenkins | |||
Art Direction by | |||
| George Jenkins | |||
| John Jay Moore | |||
Set Decoration by | |||
| George James Hopkins | |||
Costume Design by | |||
| Patricia Zipprodt | |||
Makeup Department | |||
| Ernest Adler | .... | hair designer | |
| Carmen Dirigo | .... | hair stylist | |
| Allan Snyder | .... | makeup artist | |
Production Management | |||
| Emmett Emerson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sheldon Schrager | .... | assistant director | |
Art Department | |||
| John Roche | .... | construction | |
Sound Department | |||
| Al Overton Jr. | .... | sound | |
| Arthur Piantadosi | .... | sound | |
Costume and Wardrobe Department | |||
| Mickey Sherrard | .... | costumer: men | |
Music Department | |||
| Ray Heindorf | .... | music supervisor | |
| Ray Heindorf | .... | musical director | |
| Peter Howard | .... | music arranger: dance music | |
| Eddie Sauter | .... | orchestrator | |
| Ted Sebern | .... | music editor | |
Other crew | |||
| Mentor Huebner | .... | titles | |
| Marshall Schlom | .... | script supervisor | |
| Onna White | .... | choreographer | |
Production CompaniesDistributors
- Columbia Pictures (1972) (USA) (theatrical)
- Columbia TriStar Home Video
- National Broadcasting Company (NBC) (1976) (USA) (TV) (original airing)
Additional Details
MPAA:
Rated PG for language. (edited version)
Parents Guide:
Runtime:
142 min | 168 min (director's cut) | 180 min (Laserdisc version)
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Company:
Fun Stuff
Trivia:
In the song Is Anybody There, sung by John Adams, the lyric "Yet, through all the gloom, I see the rays of ravishing light and glory" were from a letter by the real-life Adams to wife Abigail the day after the Declaration was adopted.
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Goofs:
Factual errors: Contrary to what is portrayed in the Broadway musical and the film, John Adams and Richard Henry Lee had a healthy admiration and respect for one another.
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Quotes:
Movie Connections:
Featured in Playing Columbine (2008)
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Soundtrack:
Cool, Cool, Considerate Men
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FAQ
What was the "Necessity of Taking up Arms?"Is "1776" accurate?
Was Hopkins really a drunk?
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more (113 total)
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1776 is a masterful representation of the emotion, logic and debate, leading to the critical creation and signing of the Declaration of Independence. It captures, beautifully and subtly, the moment the colonies crossed the line, one by one, to leave England's rule.
The writing is superb, and the direction is perfection itself. The music and lyrics add a bold exclamation point, for they range from funny to serious, simple to complex, in the richness of sound and appropriateness of placement.
Leading the charge is the cantankerous character of John Adams (William Daniels). It is nothing less than a remarkable and brilliant portrayal, probably one of the most difficult, and yet one of the best ever played. Daniels walks a very fine line, depicting the essence of a man who grates on his friends and foes, yet quickly pulls the audience to his side. You can't help but feel the desperation, frustration and passion of Adams, as he tries to persuade and pull reluctant and loyalist colonial representatives to his cause.
Frank Da Silva's Ben Franklin is equal to the challenge of the quality performance given by Daniels. Franklin is certainly the more popular figure among the characters, but nevertheless has many complexities, expertly brought out by the quality writing and Da Silva's fine skill as an actor of high caliber.
It is hard to write a review of such a fine film, without mentioning all the magnificent performances by a remarkably talented cast. It is far easier, and much more pleasurable, to simply view the film. Pay attention to the lighting and choreography. Watch the meeting room transform from a rather plain space, to one of intensity, as the room goes from static and flat, to lively and dramatic. It follows the mood of the film, as the issue of independence is moved from a side issue, to weave its way to the forefront. The oversized calendar reminds one of the ticking of a clock, as the days move inevitably to July 4th. And while we know the outcome of the events, it is too easy to be drawn into the process, and become captured by the suspense of those last six weeks leading to the formation of a new nation. The tally board, which records the votes of the colonies, also looms large on the wall. The movement from left to right, for and against independence, also adds to the suspense and drama of the film.
There are lighthearted moments, and witty banter, among the characters, as one would expect. But there are surprises too. And the viewer gets to see an amazing transformation of the irritable Adams to a much softer person, when he corresponds with Abigail. Please add 1776, with confidence, to your list of must-see movies. I think it is as fresh today as it was 30-years ago. It is time for a film re-release, or at least a revival on Broadway, but since such things rarely happen, do yourself a favor and rent or buy the movie. Personally, I think it was the finest of its kind. Can one rate it higher than a ten? Would that I could, for it deserves it. Kudos to the writer, director, and amazing cast. It was, for many, their very best performances, both behind the scenes and in front of the camera.